Tue
21
Apr

CHEZ KANE - Reckless (Album Review)

information persons: 
content: 
85%
Produced By: 
Danny Rexon
Release Date: 
2026
Released: 
EU
Musical Style: 
Melodic Rock
Label: 
Frontiers
Artist: 
Score: 
85
Categories: 
Reviews
Year: 
2026
 
For me, it is a case of diminishing returns for Chez Kane. Loved the debut, thought the follow-up was still pretty strong but suffered from a poor choice of song sequencing (never open with a ballad), now we have the third album ‘Reckless’ to dive into.
 
As with the other two records, this is a project driven by Danny Rexon from Crazy Lixx – written, produced , mixed and played by Danny with Chez getting writing credit on a couple of songs.
 
I’m not sure I’d want to put my name to these lyrics though – they border on utterly ridiculous and something perhaps Spinal Tap might even say no to. I mean, I’m all for an 80s revival, most of my life has been spent living in that decade, but I’d be happy to see the ‘I wanna lick you, thump you, pump you, bonk you, do you…’ lyrics left behind.
 
And the less said about the cover art the better.
 
Atrociously cringe worthy and cheesy lyrics aside the music is right out of 1988, and the hooks and melodies are there to reel you in. Chez can sing like an angel, she has a really strong voice that to be honest, if wasn’t featured here, the rest of the album would fall apart. The selling point here is big catchy cheesy songs delivered with sure conviction. I prefer the second half of the record for song strength.
 
I think the reviews are going to be mixed here. Can’t fault the catchiness of it all and the great retro feel, but the image and the lyrics almost capsize the ship. And I really miss a big ballad in amongst the mix. Chez sang a few brilliant ballads across the first two albums. 10 all up-tempo tracks don’t allow much room for the listener to catch their breath.
 
Three albums in, I reckon it’s time for Chez to pivot on the next record. Each album has been increasingly ‘over the top’ and the mid boggles at where #4 could go given the trajectory so far.
 
Tue
21
Apr

HARDLINE - Shout (Album Review)

information persons: 
content: 
94%
Produced By: 
Hardline
Release Date: 
2026
Released: 
EU
Musical Style: 
Melodic Hard Rock
Label: 
SPV
Artist: 
Score: 
94
Categories: 
Reviews
Year: 
2026
 
Hardline have quite the catalogue since realigning themselves as a European line-up with Johnny Gioeli fronting as the only original member. Their sound changed instantly, but I’ve always had a liking for the material and JG is a masterful vocalist. He turns up on other projects, but I think it’s here that he always sound most at home and the best version of himself.
 
The change to a new label seems to have given the band a fresh lease on life. This is a supremely energetic hard rock record with melodies and hooks galore. Johnny is singing for his life and the production is also a step up again. It’s a tight record with guitars and vocals fully in control. Keyboards line the tracks throughout, but not as dominantly as previous albums.
 
The opening trio is tunes run hot, with ‘It Owns You’ definitely giving off classic Hardline vibes.
 
The monster ballad ‘When You Came Into My Life’ is a cover of the Scorpions track, but Johnny makes it his own with an earth shattering vocal.
 
‘Mother Love’ and ‘Welcome To The Thunder’ (check out the intro!) again hold the true style of the original Hardline debut, which will surely impress long-time fans, but elsewhere there’s no letup in quality – just smash and grab melodic hard rock with chorus hooks and those killer vocals.
 
The closing piano ballad is another piece of brilliance.
 
Probably the band’s best album since the debut – itself a genre classic that will never ever be topped (how could they, it’s a completely different line-up and time). Don’t let any preconceptions keep you from enjoying this kick ass album.
 
Thu
09
Apr

The Locustz - Buzzkill (Album Review)

information persons: 
content: 
90%
Produced By: 
The Locustz
Release Date: 
April 18, 2026
Released: 
USA
Musical Style: 
Power Pop
Label: 
Label 51 Recordings
Artist: 
Score: 
90
Categories: 
Reviews
Year: 
2026
The Locustz (or The Red Locusts as you will recall from the debut album), are back for another round of retro-classic power pop in the vein of their musical heroes The Beatles. Featuring the same line-up of Rick Springfield and the Bissonette brothers Matt & Gregg, the guys deliver 11 supremely crafted pop songs with that familiar 60s/70s vibe that the acclaimed debut featured.
 
I think this album takes it all to a new level – even catchier songs, more elaborate guitar parts, superb vocals and a slick production.
 
It’s obviously not your typical melodic rock type album you’d expect from these guys, but it is a classy left turn that gets better and better each listen.
 
Released on limited green vinyl for Record Store Day April 18, there is supposed to be a CD release coming, but I haven’t had a firm date for that yet. Not every track features Rick on lead vocals. Matt takes lead or co-lead on a few, giving the record another authentic nod to The Beatles.
 
Highlights are plenty – the strong opening of ‘Welcome To The Revolution’, featuring a classic sounding RS riff; the ultra catchy 60s power pop ‘Battersea Park’ and the intricate ‘Head Full Of Rain’.
 
The vocal from ‘St. Teresa’ sounds like it could have come directly from Rick’s last album ‘Automatic’, even in this revised musical format. The very Rembrandts sounding uptempo retro-anthem ‘Valentino’s Bed’ is great and the soft psychedelic 90-second ballad ‘Friends’ (sung by Matt) is a light hearted way to close a pretty busy album.
 
It’s another Rick Springfield left turn, but there’s a new solo album right up ahead, so dig into this joyful collection of well-written and recorded retro power pop songs.
 
Wed
01
Apr

Degreed - Curtain Calls (Album Review)

information persons: 
content: 
94%
Produced By: 
Mats Eriksson
Release Date: 
2026
Musical Style: 
Melodic Rock
Label: 
Frontiers
Artist: 
Score: 
94
Categories: 
Reviews
Year: 
2026
My love for Swedish melodic rockers Degreed should be well established by now. Such is their consistency across 7 previous studio albums, there was never any doubt they would deliver again on ‘Curtain Calls’, their 8th all-new full album.
 
This album is packed with another 10 cracking tracks in their usual modern meets classic meets Swedish melodic hard rock sound.
 
Opening with a flurry with ‘One Helluva Ride’ and ‘Holding On To Yesterday’, the band then slide into one of their very best pure melodic bliss anthems ‘Believe’. It really should be on radio everywhere.
For the rest of the album it is the band’s usual mix of swirling keyboards meshed with big guitars and a pulsating rhythms driving some classic melodic rock and slightly heavier moments.
 
After all these years the lads aren’t beyond throwing in a couple of curve balls. The haunting and largely acoustic driven ‘The Rambler’ is just brilliant. As is the lush AOR of ‘Matter Of The Heart’.
 
Degreed are one of melodic rock’s finest portrayers of Swedish melody and while I might rate a few of the earlier albums slightly above this; there really isn’t much in it.  Just another great Degreed album.
Tags: 
 
Tue
24
Mar

LOU GRAMM - Released (Album Review)

information persons: 
content: 
95%
Produced By: 
Lou Gramm
Release Date: 
2026
Musical Style: 
Melodic Rock
Label: 
HNE Recordings
Artist: 
Score: 
95
Categories: 
Reviews
Year: 
2026
The great Louis Grammatico – arguably the greatest rock vocalist of a generation (or ever) – treats fans to a 10 track insight into the past, with a selection of songs recorded in the late 80s, remastered and in some cases, finished off in recent months.
 
Most of the material I would vouch comes from between the first and second solo albums (‘Ready Or Not’ & ‘Long Hard Look’), plus at least one from the underrated Shadowking project. That song in particular is the lead track featuring Vivian Campbell on guitar. ‘Young Love’ is an instant Lou Gramm classic. Hard to comprehend why it was left on the shelf at any stage.
 
So too for most of the tracks really. Yes, there probably reasons why they never made it – especially when competing with the near perfect line-up of songs on those 3 albums. At times it comes down to simply that some songs sound close to others, or the tempo doesn’t fit the flow of an album.
 
Most other tracks feature co-writes and instrumental accompaniment from long-time musical partner Bruce Turgon (who should always be praised whenever possible).
 
You’ve got tracks like the sharp edged ‘Walk The Walk’ - in the vein of ‘Hanging On My Hip’ (from LHL), a gorgeous mid-tempo rock ballad ‘Long Gone’; the answer to where the title track from ‘Long Hard Look’ went (and also the first use of the name Shadowking in the lyrics) and the ‘Ready Or Not’ era rocker ‘Word Gets Around’, a track I’ve loved since 1987 on a live concert broadcast Lou did at the time. A piano version of ‘True Blue Love’ is a nice change from the traditional ‘acoustic’ versions offered.
 
Not ever vocal is perfect – which leads me to believe there are a few new ones in amongst the tracks, but whatever production has been done to get this release ready is AOK with me.
 
Basically an essential release for any Lou Gramm fan. A perfect bookend for his career outside of Foreigner.
 
Speaking of which – ‘Walk The Walk’ features some very Foreigneresque saxophone and ‘Time Heals The Pain’ clearly morphed into the classy ballad ‘Until The End Of Time’ from the band’s classic ‘Mr. Moonlight’ album.
 
Tue
17
Mar

TYKETTO - Closer To The Sun (Album Review)

information persons: 
content: 
92%
Produced By: 
Danny Vaughn
Release Date: 
2026
Musical Style: 
Melodic Rock
Label: 
Silver Lining
Artist: 
Score: 
92
Categories: 
Reviews
Here’s another example of a band asking us to accept a new line-up with just one original member. We’re all aging, its more the norm now than not, so let’s dive in. Danny Vaughn is the band’s co-founder and frontman, principle songwriter and owner of one of those iconic melodic rock voices.
 
Some bands have such an identity wrapped around the frontman that anything without them doesn’t feel right. Tyketto is one of those bands. The Steve Augeri fronted album ‘Shine’ failed to ignite, while Danny Vaughn went on to great things with Vaughn.
 
The reformation album ‘Dig In Deep’ didn’t really do it for me, but onwards to 2016’s ‘Reach’ and the band were in a much better place. I can go back to that exact review to sum up this new album: “It may not really be Tyketto as we know, but whatever you think, it’s the best Danny Vaughn project in some time.”
 
Danny proves here that he is the heart and soul of Tyketto with a selection of memorable melodic rockers. Some classic in Tyketto delivery, some more more earthy as in the Vaughn material and there’s a little blues influence in there too.
 
But I’m not hung up on style. For me, with the ever-green vocals of Danny Vaughn in control, it’s always going to be about the songs. And I really dig these songs. I marked expectations for the album down after hearing the first single, but there’s better throughout the album and that song does grow on you.
 
Another winner for Mr. Vaughn and the guys – who I will give a shout out to here for delivering the goods - Harry Scott Elliott (guitar), Ged Rylands (keyboards), Chris Childs (bass), and Johnny Dee (drums).
 
Tue
10
Mar

CREYE - Creye IV, The Aftermath (Album Review)

information persons: 
content: 
70%
Label: 
Frontiers
Artist: 
Score: 
70
Categories: 
Reviews
Year: 
2026
CREYE have a problem. 4 albums, 4 singers, and this album also features a completely different line-up, with only guitarist Andreas Gullstrand left to represent the original band. Described as the man behind the band’s vision and its driving force, he’s the one testing fans patience with these changes.
 
Creye III ‘Weightless’ was a glorious slice of Scandi-melodic rock which I claimed had found the band reaching ‘full blown musical maturity.’ This album, the aptly titled ‘Creye IV – The Aftermath’ is unfortunately a big step backwards.
It still has moments of the Scandi-brilliance the first 3 records delivered, but at the heart of the problem here for me – I just don’t like the new singer.
 
The material in large part tries to replicate the band’s sound, but it lacks the spark the Creye name has come to represent and the vocals are a big part of that problem. New singer Simon Böös sounds like he could be singing out of his comfort zone. It just sounds forced, especially on the higher notes. It's not easy to listen to. There are also a few different styles at play within this album, as if the band is trying to find themselves again (no surprise with an all-new line-up). Shame, as they nailed it last time around.
 
Still plenty of keyboard and guitar driven AOR in the truest sense of the term, but the highlights are a few songs here and there rather than a slather of gloriousness that the band and their last album in particular have previously delivered.
Tags: 
 
Thu
05
Mar

GENERATION RADIO - Take Two (Album Review)

information persons: 
content: 
65%
Produced By: 
Generation Radio
Release Date: 
2026
Released: 
World
Musical Style: 
AOR / Pop-country
Label: 
Frontiers
Score: 
65
Categories: 
Reviews
Year: 
2026
GENERATION RADIO, the semi-country/rock supergroup formed by Jay DeMarcus (Vocals, keyboards, and bass, from Rascal Flatts) and one of the great AOR voices of all time Jason Scheff (Lead vocals and bass, formerly of Chicago) follow up their acclaimed 2022 debut that also featured Journey’s Deen Castronovo with album number two, cleverly titled ‘Take Two’.
 
Unfortunately for these guys, Deen returned to Journey full-time, leaving them one vocalist short, but the drums have been capably filled by the amazing Steve Ferrone (Tom Petty & The Heartbreakers).
 
The first part of the album follows the path of the debut, a sparkling mix of high-tech AOR and country tinged numbers. It is noticed that the pace has dropped somewhat – this is a slower and more ballad heavy record. There are only 2 cracking AOR tunes in the first 7.
 
Sadly things don’t get any better with the second half. A pointless trio of cover tunes (Whitesnake’s Here I Go Again, Chicago’s You’re The Inspiration and Kenny Loggins’  I’m Alright) waste the listeners time and would better be left for a live album perhaps.
 
That leaves the last two songs – both mid-tempo ballads again, one country, one AORish.
 
A major step back in quality from the excellent and still very enjoyable debut.
 
Thu
05
Mar

GIANT - Stand And Deliver (Album Review)

information persons: 
content: 
89%
Produced By: 
Jimmy Westerlund, David Huff, Alessandro Del Vecchio
Release Date: 
2025
Released: 
World
Musical Style: 
Melodic Rock
Label: 
Frontiers
Artist: 
Score: 
89
Categories: 
Reviews
Year: 
2026
GIANT, or Euro-Giant as I prefer to call this incarnation deliver the second album to feature Perfect Plan frontman Kent Hilli – a natural choice given to tone of his voice and the unavailability of the band’s founder and creative heart Dann Huff.
 
David Huff (drums) and Mike Brignardello (bass) remain, but creative control on this album goes to One Desire guitarist/main man Jimmy Westerlund. Alessandro Del Vecchio stepped back halfway after parting ways with the Frontiers production house.
 
So this is a very good, almost great slice of melodic rock, but it still isn’t Giant. I think it’s even a step up from the last album, but here’s what confuses me – if some songs have a real traditional Giant feel to them, with Westerlund putting in a very credible Dann Huff imitation – then why do others sound like the standard personality void Euro-AOR Frontiers keeps churning out?
 
The touches of old Giant add to the album’s appeal while the other tunes can be appreciated for what they are.
 
Oh, and the guys cover two of Van Stephenson’s unreleased co-writes with Dann Huff which I uncovered in Van’s vaults and released in 2024 (‘Holdin’ On For Dear Life’ and the wondrous ballad ‘Paradise Found’). Did they ask permission to use? Of course not, but you’re welcome guys, it does help this record sound more authentic.
 
Now they’re coming to Italy in 2026 to perform with Dann, but without Kent. Makes as much sense as anything else they’ve done I guess.
 
 
Thu
05
Mar

HEARTS OF FIRE - Signs & Wonders (Album Review)

information persons: 
content: 
88%
Produced By: 
Jean Funes
Release Date: 
2026
Released: 
World
Musical Style: 
AOR
Label: 
Pride & Joy
Score: 
88
Categories: 
Reviews
Year: 
2026
HEARTS ON FIRE return with album number two, the band formed by Honduras residents Jean Funes (guitarist, songwriter and producer) and Joel Mejia (drums) are joined again by the great Eric Ragno who makes an important contribution with his keyboard wizardry and former Yngwie/Ring Of Fire vocalist Mark Boals, stepping in for Rian frontman Richard Andermyr who helmed the debut.
 
My label released that debut, so you can call me bias when it comes to these guys, but it cannot be denied that Jean writes quality songs. This is another collection of anthemic in nature, warm and melodic mid-paced AOR numbers. Very familiar melodic rock to most, but undeniably catchy and consistent, where as many other albums become stale and predictable after a few songs.
 
I will say I prefer the more engaging vocals of Richard, but it has to be said that ‘metal’ man Mark turns in a surprisingly strong AOR performance here, fitting in with the band’s style and sound perfectly.
 
For those that know what to expect, but original and fresh enough to set itself apart from many competitors.
 

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