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Wed
28
Jan

REVOLUTION SAINTS - Revolution Saints (Review)

information persons: 
Produced By: 
Alessandro Del Vecchio
Running Time: 
55
Release Date: 
February 20
Released: 
Worldwide
Musical Style: 
Melodic Hard Rock
Label: 
Frontiers
Score: 
95
Wednesday, January 28, 2015
Categories: 
Reviews
Any project touting Deen Castronovo on lead vocals is going to get my attention and enthusiasm. To add Mr. Melody Jack Blades and the righteous Doug Aldrich turns a triple play into a home run.
Overseeing the project in man of the moment Alessandro Del Vecchio, adding his always brilliant keyboards, plus composing most of the songs and adding his deft touch to the production, which I think has to be his most accomplished effort yet.
‘It is a musician's record,' states Castronovo of the project. Indeed it is. There are a plethora of examples of exquisite musicianship from all throughout the record, none more so than Castronovo himself, who delivers a masters clinic on how exactly to play on a rock record with power, soul and finesse.
 
While I am somewhat hesitant to embrace superstar projects that aren’t born from a natural evolution of personalities and circumstances, this project totally makes sense and thanks to some amazing songs from Del Vecchio, delivers in spades.
Of course I’d prefer all three guys to be amongst the writing credits, but now this album is done and done so well, perhaps discussions about the next album will allow that to happen. And there sure will be a follow up to this. It’s just too good.
 
Back On My Trail is a dramatic album opener that rocks as intended. Upbeat and driven by a thumping beat and some hard edged, but melodic guitar riffs.
Deen bursts through the speakers with power and authority in his own natural tone, which is a combination of the sweet tone of Steve Perry and the power of Jeff Scott Soto.
He lets rip a few notes that simply stun. And his drumming is quickly simply insane. There are drum fills and progressive twists throughout the song.
A terrific guitar solo with numerous flourishes throughout shows what a master Doug Aldrich is, while Jack Blades’ bass truly thumps away.
The song itself is a powerhouse melodic hard rocker that sounds like Journey meets Night Ranger, but with the sonic edge that Doug brought to Whitesnake. Harmonies abound and the chorus is simple, but memorable and gets better with every listen.
 
Turn Back Time is co-written by Alessandro and Jack Blades and is an easy choice for the first single. The feel good anthemic and uptempo melodic rocker sees Deen and Jack share lead vocals, with Deen doing his finest Journey style melodies and everyone joining in to take the chorus over the top. Some more tasty guitar soloing and an infectious foot thumping beat makes the song a clear winner. Deen again is a monster on drums. How does he do it?
 
You're Not Alone sees Alessandro Del Vecchio’s piano opens the first ballad of the album. It’s only a matter of seconds before the power of this song is on display. Arnel Pineda and Deen share lead vocals in a very recent era Journey-esque track that features layers of keyboards and rich musical depth. It’s a big power ballad that reminds me heavily of the more dramatic songs off the LRS album (also written by Alessandro). It’s a big and powerful ballad where vocals are the emphasis and there’s plenty of them!
 
Locked Out Of Paradise is a monster melodic hard rock tune. It’s one of the heavier album tracks and is maybe the most powerful song I have heard Deen Castronovo appear on since Hardline. The drumming is stunning, while the vocals are pure Perry-goes-metal.
The chorus gets better and better and the song structure is such that it takes the classic melodic hard rock format, but modernizes it. Doug’s guitar playing is sublime from start to finish.
 
Way To The Sun features an acoustic guitar and a soulful vocal greeting the start of the next track. Another ballad? Not sure I’m ready for that, but that vocal! Then 1 minute in, the song bursts to life, with the full power of the band in action. The chorus is beautiful – harmony vocals, a powerful drum rip, an authoritative guitar riff. Neal Schon guests on the track with a typically soulful flurry of guitar chords that is pure Journey. The track continues building throughout, so by this time it’s in full epic mode, with vocals, guitars and harmonies. Beautiful track.
 
Dream On is a song written by Erik Martensson, with Johan and Kris Becker, Alessandro and Jack Blades. The combined collaboration works, as this is a brilliant pure melodic rock stadium anthem, with Deen sounding like a raspier Escape/Frontiers era Steve Perry.
The chorus is pure ear candy and the energy infectious. Erik Martensson’s writing influence here is undeniable. Melodic bliss.
 
Don’t Walk Away is another ballad and to be honest, at first I thought it was too early for another ballad, but once again, that fear is dismissed with the first note Deen sings. Wow, this guy has soul and passion that’s been kept hidden for too long.
The song starts as a soft piano ballad, with Deen and Alessandro featured together until the chorus sees a full band accompaniment. And what a chorus. A hit single in any other era.
A monster Alessandro song that is pure Journey. The end of the song is simply epic and some of the notes Deen hits are insane. This song features some big big vocals and a great guitar solo too.
 
Here Forever is another ballad, but like each slower track before it, it is different once again and stands on its own. It’s probably one ballad too many and it does make me question the sequencing of the album, but you can’t deny that the song is soulful, powerful and emotional. It’s more rock then ballad and Deen’s voice is outstanding once again. Definitely reminds me of Journey.
 
Strangers To This Life – it’s time to fire proceedings back up again. Deen goes full Perry for this moody rocker that might have sounded pretty comfortable on Journey’s Trial By Fire.
 
Better World is another upbeat melodic rocker that has a strong European feel and a good mix of Journey too. The verse and bridge-to-chorus is pure Journey, while the chorus is more Euro-melodic rock, with keyboards a plenty. Of course there is a tasty Aldrich solo and some rolling bass thumping from Jack. Alessandro takes a writing credit with Magnus Karlsson on this one.
 
How To Mend A Broken Heart is a ripping version of the brilliant Eclipse track. This has all the energy of the original and Deen sounds brilliant singing it. That rasp in his voice is a joy! For those that don’t know Eclipse, let this be an introduction to the fabulous Swedish band.
 
A sparse piano ballad to close the album. While another ballad might not be on the menu for some, In The Name Of The Father is a stunner almost worth the price of the album alone. Deen’s vocals send a shiver down the spine as just his voice and a piano deliver the first half of the song. There’s orchestral backing and then the full band chimes in. Truly a magnificent, epic ballad and the song itself (from Alessandro on his own) is brilliant. Steve Perry would be proud…
 

So there you have it folks. On paper, the lineup looks amazing and on record the guys deliver. More a product of Alessandro’s pen and production efforts, but the performances by the guys are what makes these songs come to life.
We’ve always known that Deen Castronovo is a freak drummer and an amazing vocalist, but this album propels him into the spotlight and he excels in both roles.
I’d love to see these guys hit the road, I can only imagine the setlist, but duties with their main bands will no doubt curtail any fan hopes.
 
 
Fri
21
Nov

RATED X - "Rated X" (Review)

information persons: 
section name: 
SCORE
content: 

 

89%
Produced By: 
Alessandro Del Vecchio
Running Time: 
60
Release Date: 
2014
Released: 
Worldwide
Musical Style: 
Melodic Hard Rock
Label: 
Frontiers
Artist: 
Score: 
89
Friday, November 21, 2014
Categories: 
Reviews
 
Any project featuring Joe Lynn Turner on vocals is going to get my attention. Add in Joe’s Mother’s Army partner Carmine Appice on drums; Carmine’s Blue Murder partner Tony Franklin on bass and star guitarist Karl Cochran and you have me standing to attention, ready to salute whoever’s idea this was.
But, what looks good on paper must deliver in reality. Rated X thankfully does just that. Under the direction of producer Alessandro Del Vecchio (who also adds writing credits, all keyboards, organ and backing vocals to his list of credits), the band delivers a knock out blues driven classic hard rock album.
 
 
Not unexpectedly, the style here is a mix of Joe Lynn Turner solo, classic Rainbow as well as adding parts of the Mother’s Army and Blue Murder sound.
The band overcame Karl’s recent health scare by bringing in Nikolo Koyzev and Daniel Palmqvist to complete guitar parts on several tracks, but Karl remains the driving force behind the album’s power.
 
It’s a joy to hear Appice and Franklin as a rhythm section again. The two really pack a punch on this record, with Tony’s bass groove rolling through the album and Carmine is simply all over these songs. Why add one drum fill when you can add three? I love it; the powerful rhythm section just adds so much power. And Joe Lynn Turner has seldom sounded better, his authorative rasp in full control.
 
Get Back My Crown is a ripping opener that throws me back to the debut Mother’s Army album.
This Is Who I Am is one of two tracks taken from the unreleased JLT/Chris Antblad collaboration. The song here is beefed up from its original form, with some shredding guitar and a ton of extra drum fills.
Fire And Ice is an organ drenched classic Zeppelinesque 70s rocker with drums again belting through the speakers through the chorus while Tony Franklin’s bass glides over the verse.
I Don’t Cry Anymore is another great JLT driven rocker, with the singer sounding in classic form.
The very cool and moody Lhasa has to be inspired by the Blue Murder track Valley Of The Kings. This seven minute epic has a very similar vibe, especially with Franklin and Appice involved.
Devil In Disguise is a pretty simple rocker after the complex preceding track.
You Are The Music is a quality slower track with a nice melodic edge.
Peace Of Mind is another quality untempo melodic rocker.
Maybe Tonight is a classic AOR track – the second from the JLT/Antblad sessions. Here it has been rocked up a little and expanded musically and is another highlight.
On The Way To Paradise picks up the tempo and the rock attitude once again for a straight ahead tour de force. Great guitar solo too!
Our Love Is Not Over is the big sentimental ballad of the album. Classic JLT here.
Stranger In Us All closes the album by firing us up again with crashing guitars and pounding bass and lots of organ once again.
 

 
A very fine debut collaboration from the folks that form Rated X. I hope this can continue as an ongoing touring and recording band.
The only point I would raise overall would be that the production could be described as a bit muddy in places and the drum and bass sound does vary a little from track to track.
But great energy in the performances, despite the challenges of getting the record recorded and mixed.
You wouldn’t want the album any longer than the 60 minutes delivered, but that said, there’s no filler here.

 

 
Fri
08
Aug

RICHARD MARX - Beautiful Goodbye (Review)

information persons: 
section name: 
TRACK LISTING
content: 
1."Whatever We Started"
2."Suddenly"
3."Inside"
4."Beautiful Goodbye"
5."Forgot To Remember"
6."Turn Off The Night"
7."Have A Little Faith"
8."Like The World Is Ending"
9."To My Senses”
10."Getaway"
11."Eyes On Me" 
section name: 
SCORE
content: 

 

55%
Produced By: 
Richard Marx
Running Time: 
47
Release Date: 
2014
Released: 
Worldwide
Musical Style: 
Pop
Artist: 
Score: 
55
Friday, August 8, 2014
Categories: 
Reviews
Richard Marx has hardly put a foot wrong throughout his long career. A career longer than any modern day singer/songwriter is ever likely to have I might add.
Even as he matured and moved out of the spotlight, his records have continued to impress. The most recent of which, Emotional Remains and Sundown, were brilliant. Few people capture real emotion like Marx does.
The compilation Inside My Head showcased the best of those records with a second disc of re-recorded hits. More brilliance.
 
So with those high standards set, you will understand why I’m so disappointed in Richard’s new studio release. His first all-new set of songs since 2008 was preceded by the lead single Whatever We Started – itself an instantly catchy sultry ballad of the highest quality.
But the song signaled a shift in style to programmed beats and synth driven music. And when it was discovered that the ballad was also the album’s opening track, it wasn’t a good sign for the overall tempo of a record. You don’t open an uptempo album with a ballad right?
 
And those fears were confirmed on my first run through of Beautiful Goodbye. What we have here is 11 tracks that are all very soft, very slow and largely driven by synth programming.
Marx shows his age as he croons through one ballad after another as the tempo barely makes it out of first gear throughout.
There are some fine songs of course, but most of the best songs are lost in the lack of tempo through the album.
 
Inside, Beautiful Goodbye, Turn Off The Night and the tear jerker Turn Off The Night are all fine songs, but overall are simply lost in a sea of similar ballads.
The heavily programmed Forgot To Remember is one instance of a song making it into second gear (co-written with sometime gigging/writing partner Matt Scannell of VerticalHorizon).
The country twang of the big ballad Like The World Is Ending is the most painful to listen to – the falsetto is earsplitting and Eyes On Me is so unbelievably slow that listening to this while driving is strongly discouraged.
 
Sorry Richard, 6 years for an album of ballads and slow tempo synth pop? Count me as really disappointed. While some of the elder statesmen of rock have only improved with age (Rick Springfield for example), Richard has missed a big opportunity here to continue the excellent work laid out on past albums. I will return to those post haste.
 

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